The TUBE-TECH CL 1B is an all-tube optical mono compressor. It delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings, and this is where CL 1B really stands out compared to other compressors.
The TUBE-TECH HLT 2A is an all-new kind of Equalizer, combining High and Low shelving Eq plus Hi and Low cut filters with an innovative T filter “tilt” midrange Eq. It's the first time this combination of filters has been designed in the analog domain.
The TUBE-TECH SSA 2B Stereo Summing Amplifier features two very low noise/low distortion summing amplifiers with a very wide frequency response.
The TUBE-TECH EM 1A Passive Tube EQ is an exact replica of our oldest "classic", the PE 1C all-tube, passive Program Equalizer, which itself is based on the classic PULTEC EQP 1A.
The TUBE-TECH ME 1B is a passive, all-tube midrange EQ based on the legendary Pultech MEQ5, featuring two boost- and one dip section. The bandwidth of the ME1B sections is designed broader than in the MEQ5 for ultra-smooth and musical equalization, perfect for vocals, instruments, speech and all other midrange sources.
TUBE-TECH SMC2BM is the mastering version of the famous SMC2B Stereo Multiband Compressor. On SMC2BM all audio controls feature High Quality switches, fitted with precision resistors, to ensure extreme accuracy in settings and recals.
The TUBE-TECH SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. Combining the effect of wide 3 band level control with individual compression of the three bands creates pure magic, especially on the main mix bus, but also on submixes like drum buss, instrument groups and single tracks.
The LCA 2B is an all-tube VCA compressor/limiter with two independent, linkable channels. It's a true TUBE VCA compressor, using a tube as the VCA (voltage controlled amplifier). This kind of compressor is also known as a Vari Mu compressor.
The TUBE-TECH CL 2A is an all-tube optical compressor with two independent, linkable channels. CL 2A is a great compressor on all sources, and it is widely known as an excellent “problem solver” when delicate gain control is called for.
The PE 1C is a passive, all-tube EQ, based on the classic PULTEC EQP 1A design and featuring a passive EQ section and a high quality op amp. With the original Pultec out of production for decades and used examples demanding sky-high prices, the PE 1C is by far the easiest way to achieve this unique and coveted sound.
The MEC1A is an all-tube mono recording channel, combining the classic TUBE-TECH designs: MP1A mic preamp, EQ 1A active EQ and CL2A compressor in one powerful, 2U recording package. The MEC1A delivers true TUBE-TECH sound: Full and warm, yet open and transparent.
The PM 1A is a combined mic preamp/DI, based on a classic TUBE-TECH design, but featuring even higher fidelity and a few new features: An impedance switch to match the input perfectly to all types of microphones, an overload indicator and 2 dB gain steps.
The MP 2A is a combined mic preamp/DI, based on a classic TUBE-TECH design, but featuring even higher fidelity and a few new features: An impedance switch to match the input perfectly to all types of microphones, an overload indicator and 2 dB gain steps.
The Classic Channel is not your everyday channel strip, with a surgical equalizer and fast bus compressor. The Classic Channel is a vintage style and warm sounding channel strip.
The real battle for getting a clear and vibrant mix is often fought in the midrange frequencies. The Tube-Tech ME 1B is a tube-driven passive equalizer that addresses the midrange—and only the midrange.
Loved and coveted by sound engineers all over the world for its super huge bass and its silky shiny treble, the PE 1C is Tube-Tech's modern day take on the famous Pultec tube-driven passive equalizer.
The CL1B NATIVE version for VST, AU and RTAS platforms is provided by Softube. It is also available for the UAD and TDM platforms.